Enso management full#
Enso management professional#

How many people do you have working with you and can that bring its own pressures as well? My husband says I’m a workaholic, and sleep with my phone in my hand! My answer to that is, the music industry doesn’t work on a 9-5 basis! Saying that though, it’s important to take a break and refresh, I make sure I get quality time for family and friends. Perhaps my husband should answer this one! I’m very dedicated and passionate about all the bands on the roster, and keen to enhance and build the company, so that takes a lot of my time.

How much of your personal life is taken up with Enso? In answer to your question, it doesn’t bring us any headaches for promoting and marketing gigs. Well, I guess the main genre of Enso is rock and metal, (said in a low gruff voice, whilst raising the horns) so although there are bands on the roster with maybe a different style, it’s still all metal, I think too much emphasis goes into genres! Communication is key with all our bands, so we can build a mutual trust that allows the bands to focus on what really matters: the music!Ĭatering for different genres of music, does this bring its own headaches when it comes to promoting and marketing the gigs? Some bands want us to take on all parts whereas others just want one or two of those parts. We try to keep things as simple and easy-going as possible and so break our services down into three main parts: management, booking and PR. Our approach to working with a new band of any level has and always will be the same: the bands come first. We tailor our services for each and every band on our roster to try and help them in the best way we can. Lots of self-doubt, which I still have! But this is a role I adore, and am very passionate about, so I’ll keep going, with the help of my colleagues and incredible bands.įor bands that are unaware of what Enso Music Management can do for them, what services could you provide up and coming bands as well as seasoned bands?

Enso management full#

which I did, but then realised it was taking up a lot of my spare time, and debated whether I could actually do this full time as a business, to help more bands. This is really the start of Enso, as after a couple of years of touring with Elliott and co, I was getting approached by a fair few bands, asking if I could help them with gigs, guidance, etc. Elliott began gigging/touring at 14, so was needing some guidance and transportation.

Enso management professional#

You want to know a bit about myself? That’s the hardest thing to write about! I’ve always been involved in music in some shape or form for most of my life, most of my brothers have been in bands my eldest is a professional international singer, from fronting bands to being part of the entertainment staff at a holiday park, then releasing my own covers CD which is now obsolete due to complaints of tinnitus from its listeners!Īs most are aware I think, my son Elliott is the frontman of technical metal band Cambion, and guitarist in Codex Alimentarius. Hello! My name’s Rachael Harrison, and I run Enso Music Management. I thank Rachael for spending the time to do this interview within her busy work schedule and I am sure you will all enjoy this enlightening interview.Ĭan you tell our readers at Moshville times a bit about yourself and how you came to form Enso Music Management? Rachael was only too happy to answer my questions and gave quite a personal interview on how things are for her company, what labels should do to get her attention and gave advice to those looking into band management. One of the final pieces of the jigsaw was to look into band management and I got in touch with Rachael Harrison of Enso Music Management from a mutual friend, John Badger of Badgerfest. I have recently wanted to expand my knowledge of the music business and interview bands, labels and promoters for their own opinion on how things have changed within the music business.